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1: SCREENPLAY COVERAGE REPORT - $475.00

A 2-3 page industry standard coverage report of your feature screenplay including a logline, a 1-2 page synopsis, main character breakdown and an overall evaluation on story, style, genre, concept, writing, dialogue, characters and screenplay marketability. Coverage reports can be used for investors, script submissions to agents and producers, or used as marketing content. Turn around time: 2 - 3 weeks.


2: STORY ANALYSIS REPORT - $600.00

A 4-6 page detailed version of the coverage report including a more thorough synopsis and analysis along with suggestions on how to improve the script on story, character and structure to gain marketability and saleability. Turn around time: 2-3 weeks.


3: CREATIVE SCRIPT NOTES - $800.00

After I receive a hardcopy of your screenplay, I will provide notes on the actual script pages regarding edits, story, dialogue suggestions, deleting scenes, strengthening scenes, adding scenes, craft technique, format, characters, and any ideas that will improve the project. Turn around time: 2-3 weeks.


4: FINAL DRAFT SCRIPT FORMATTING - Starting at $1,500.00

If you have written a screenplay in English, and need it properly formatted in Final Draft Software to the industry standard, and edited for grammar to present to readers, agents, producers and investors, this is your best option. Turn around time: 2-4 weeks. Files can be delivered upon completetion as FDR, RTF, MS Word or PDF. Additional charges of $20.00 will be applied if you would like printing and shipping. For scripts written longhand, in English as a second language, over 130 pages, or recorded verbally, please call for a quote.


5: SCRIPT POLISH - Starting at $3,000.00

A screenplay polish includes writing and editing, formatting, grammar, dialogue, style, word choice, and pace and flow of your screenplay to make it bulletproof before taking it to the market, or going into production. Turn around time: 3-5 weeks. Additional fees of $10.00 per page apply for scripts over 130 pages


6: STORY TREATMENT WRITING - Starting at $3,000.00

A typical treatment is a 10-20 page outline of your story including all major scenes, plotlines, characters and minimal dialogue. A script treatment is a necessary tool for the writer to go off when writing the actual script. A treatment is also used as a sales tool to present to agents, actors, investors and producers to entice them into reading your actual script.


7: SCRIPTWRITING/PAGE ONE RE-WRITE - $12,000 - $40,000
Please Call

This option is for writers or producers who have an idea, notes, book rights, or a treatment but do not have the skills or time to develop a complete screenplay. Please Call for an Evaluation


8: CONSULTING PACKAGES - $3,000 - $15,000
Please Call

Do you have a script? Are you lost on what to do next, how, when, why and where to do it? I offer consulting packages on a retainer basis with a minimum of 1 year. Packages include help with re-writing and polishing, refining marketing materials, entering contests, agency submissions, query letters, market research as well as legal, creative and logistical plans for you to achieve results.

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The Bare Bones Book of Screenwriting


NOTE: If your screenplay is over 130 pages. Additional charges per page will apply for coverage, analysis, creative notes and formatting service.

Please send:
- Your script
- A self-addressed, stamped envelope for the return of your script (if you need a returned script). Use a 10 X 13 inch envelope with a stamp to cover return postage. Please, include e-mail in your contact information.
- A check or money order for the selected service made out to Written By Clark. (Please add $5.00 per extra page for coverage, analysis, creative notes, and formatting services.)
WRITTEN BY CLARK - Screenplay Consultants
PO BOX 11714
Newport Beach, CA 92658

Unlike some other consulting firms promising to link writers up with agents or producers as a lure to come back, Written By Clark does not make that promise. My focus is on making your script as good as it can get for the marketplace. I do receive requests for material by producers and agents. If I receive such a request and feel that a project or client is fitting for the project, only then will I be in a position to referr clients and/or their projects.

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